![]() Of course, Premiere appears to not have a data burn feature, so you have to use some silly tricks to do that instead of just using a data burn like you would with a professional NLE. To export, simply render in your lossless codec of choice and reimport back into DaVinci Resolve. Since all the original clips are connected, you can extend any clips where desired. They'll get you through the basics, but for when things go awry, also export a reference edit from Premiere that includes clip name and timecode as burn ins. Your DaVinci Resolve timeline is now imported into an After Effects composition without rendering anything. There are some guides on doing this in the Black Magic training manuals, which are available on BMD's web site as free PDFs along with the sample footage to work with. You have to be very careful about how you structure your edit in Premiere or you'll be recreating the edit in Resolve. The Adobe -> Resolve workflow isn't very good. Then you get to work.Īnd you'll be wishing for Redcode support in HitFilm. To do that you need to start by exporting an interchange file and import that interchange file into Resolve and relink that to the original raw footage. ![]() It will save you quite a bit of work once you learn how to use it.įor working with Redcode, you'll want to learn to conform in Resolve. I simply don't understand what the workflow would be to use after effects to edit and resolve to color - in a way that I'm coloring the R3D files, and not losing quality, and also not wasting my time coloring clips that won't be used for the final cut, as well as tracking somebody's face throughout a 30 sec shot when I will only be using 3 sec of it.įor your current workflow, use scene detect. The problem is, I am going to be working with Scarlet footage, from 1080 to 5k. ![]() I understand this is not the proper way to do this. Then I'll export, and bring back into after effects to combine with the master audio file and export a final render. Then I bring that file into resolve, use the blade to cut everything into clips again, then color each clip. Edit in after effects, then render as a prores file. My workflow is: Start assembling in Premiere, then use the dynamic link function bring all the clips and overall structure into after effects. ![]() I use After Effects to edit entire videos and color in resolve.Ĭurrently I've been working with a lot of slog3 footage. This has been eating at me for a while now. ![]()
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